Armchair. Frame in chromium-plated steel tube, or painted dust light blue or black. Adjustable two-position cushion support in black painted steel. Upholstery in polyurethane/ heat-bound polyester fi bre. Removable cover in fabric or leather. The mod..

Every constructive detail of the Tessa armchair is a clue to the great complexity that lies behind its seeming simplicity. The kind of simplicity that stems from the ingenuity and hand-craftsmanship inherent to the concept of the product itself.Th..

The Tessa S.H. armchair is an iconic combination of a wood structure crafted in the fine Italian cabinetmaking tradition and a quintessential, timeless material like cowhide.The structure of the Tessa S.H. armchair is made entirely of prized solid ..

Designed in the year 2000, its intrinsic elegance has made the Thomas armchair one of the absolute best-sellers in the Flexform product line. Padded in polyurethane foam and Dacron, the substantial seat cushion rests on a sophisticated curved..

A stylishly asymmetrical daybed, Zeus’s sculptural shape is guaranteed to turn heads. It has a rigid shell made of structural polyurethane and polyurethane foam. Its dynamic lines are evident in the armrests that open out away from the base.&..

The Aluminium Chair is one of the great furniture designs of the twentieth century. Charles and Ray Eames conceived and developed this chair in 1958 for the private residence of an art collector in Columbus, Indiana (USA). For its construction, the d..

Amoebe was created by Verner Panton in 1970 for his famous Visiona installation, which included several versions of this lounge piece. It embodies the exuberant spirit of the early 1970s. Thanks to its upholstered surfaces and the flexible back shell..

Designed for a competition to furnish the student residence halls at the Cité Universitaire in Nancy, the Cité armchair is one of Jean Prouvé's early masterpieces. Prouvé himself used this dynamic looking armchair – with distinctive runners made of p..

The Coconut Chair, a prime example of 1950s design, is distinguished by its humorous undertones, formal clarity and sparing use of materials. The designer himself, George Nelson, compared the armchair with a coconut cut into eight parts, though he re..

'Getting the most of the best to the greatest number of people for the least': with these words, Charles and Ray Eames described one of their main goals as furniture designers. None of their other designs come as close to achieving this ideal as the ..

Products designed by Hella Jongerius exhibit her unique manner of fusing industry and craft, high- and low-tech, traditional and modern – characteristics which are also evident in the East River Chair: with its distinctive form and casual combination..

Fauteuil de Salon joins simple planes into a unified architectural object with a comfortable seat surface and backrest. Rediscovered in the archives of the French engineer Jean Prouvé, the armchair has been updated in a contemporary colour palette. W..

Jointly developed by Vitra and Antonio Citterio, the lounge chairs Repos and Grand Repos introduce a new level of comfort and flexibility to the home environment: with their generous padding, inviting armrests and high backrest, these elegant swivel-..

Inspired by the ‘Floating Figure’ sculpture created by Gaston Lachaise, Charles and Ray Eames designed La Chaise as a lounge chair for a competition at the Museum of Modern Art in New York. This voluminous lounge piece has a captivating elegance and ..

The structural design of the Lobby Chair makes it comparable to the Lounge Chair in terms of comfort. It consists of three individual cushions joined together by aluminium side frames. The armchair was originally conceived to furnish lobby areas in N..

The structural design of the Lobby Chair makes it comparable to the Lounge Chair in terms of comfort. It consists of three individual cushions joined together by aluminium side frames. The armchair was originally conceived to furnish lobby areas in N..