You are using an outdated browser. For a faster, safer browsing experience, upgrade for free today.

El Greco Gallery

  • Your shopping cart is empty!

Fumoir reproposes the stylish living room furnishings, exemplified by models 118 and 518, that appeared in Poltrona Frau's catalogue of the Twenties. It is inspired by the low-back dished armchair of the 18th century, especially suited for the upright sitting position that people assume around a table or in a waiting room. The entire range comes with front wheels of brass and is characterized by the diamond-shaped stitching pattern of the seatback. The bearing structure is made of seasoned Beech. Seat springing is by means of biconic steel springs tied by hand and rested on jute belts. The padding material is rubberised horsehair. Available upholstered in Pelle Frau® leather from the Color System, Heritage leather, Soul leather, fabric from Poltrona Frau's exclusive textile collection. The client may also provide own material (c.o.m.).
About Designer
Renzo Frau

Lorenzo Frau, known as ‘Renzo’, was born in Cagliari in 1881. He left Sardinia for military service in Milan, which he completed successfully earning the title of lieutenant. He married SavinaPisati and moved to Turin, at the time a real hub of Italian culture. He initially worked as a sales representative for Gribaudi and then for Dermoide Patent, manufacturer of faux leather. Having moved to Great Britain for work, he was able to discover the Chesterfield model armchairs and immediately imagined its potential, successfully starting to import it into Italy. At the same time, however, he was also attracted by the models of French and Central European style. He therefore decided to create his own artisan production laboratory. It was 1912: Poltrona Frau was created. From the initial work ‘in style’, Frau quickly moved onto direct design. Poltrona Frau became not only a production pole, but also a meeting point for artists and intellectuals. Renzo Frau used these relations to consolidate the brand image: successful models ensued quickly, one after the other. As the First World War broke out, Frau was called to fight for his country and his wife Savina bravely took up the reins of the company. Frau’s armchairs thus began entering the most important buildings, also used by the royal family. Renzo Frau met an early death in 1926. He left an extensive archive of projects that would allow his wife to coherently pursue Poltrona Frau production in the years to come.