Arabesque's sinuous lines display the same natural tension as a dancer's body. A fluid balance and a supple grace deriving from complex processes. Materials and construction details are calibrated for maximum ergonomic performance. The deliberately l..

Alexander Girard devoted great attention to every visible surface in an interior. Ceilings, walls and floors were treated with great care and coordinated with the moveable objects in the room.The Metal Wall Reliefs are decorative examples of wall dec..

The aesthetic hallmark of the .03 chair is its sleek, slim shape – a design that can be seen as an expression of the concept 'less is more'. At the same time, the chair is unexpectedly comfortable: made of resilient polyurethane integral foam, the li..

Maarten Van Severen's .04 office chair is distinctly different in appearance from typical task chairs used in institutional settings. At the same time, it offers advantageous ergonomic features: the flexible polyurethane shell of the .04 office chair..

Maarten Van Severen's .04 office chair is distinctly different in appearance from typical task chairs used in institutional settings. At the same time, it offers advantageous ergonomic features: the flexible polyurethane shell of the .04 office chair..

Each mirror in the collection has two faces set 124 degrees apart. As a result, the mirrors reflect unexpected views of their surroundings, with each side revealing a different perspective. To look squarely into the mirror is to see no reflection at ..

Seasoned beech support structure. Seat, backrest and armrests sprung by means of hand-tied double cone steel springs resting on jute belts. Seat padding is in rubberised horsehair; the backrest and armrests are in hand-shaped vegetable horsehair. The..

Conspicuous use of black leather and its tubular metal structure clearly tie the concept for the A.B.C. armchair to the design language of the Modern Movement. Yet, the low seat, that allows the upholstered pieces to fit perfectly within the ..

The A.B.C.D. armchair is a re-edition of the iconic A.B.C. armchair, introduced in 1996. Some substantial changes were made to the new version, launched in 2014 – like the re-design of the base and elimination of the armrest – to give it a so..

With its gently curved open shell and symmetrical solid base, the About A Chair AAC 12 design offers a refreshingly pared back expression that is consistent with the rest of the series. The lack of armrests ensures a clean, clutter-free silhouette, w..

The About A Chair AAC22 design exudes the functional simplicity that is characteristic of this entire series. The solid shell comprises a curved back with armrests in polypropylene, providing excellent comfort and a soft, unified silhouette, while th..

Featuring the same compact body as other designs in the series, this swivel version of the About A Lounge Chair has a light metal frame. Available in high- and low-back versions, the high-backed version of About A Lounge Chair has a more formal expre..

The About A Lounge Chair has a compact body with shaped armrests combined with round wooden legs. In line with the rest of the series, the sculpted design has been kept simple, with nothing left to chance. It is available in a low-backed version with..

Sharing the same minimalistic principles and versatility as the rest of the series, About a Lounge Sofa is a cohesive fusion of two lounge chairs. With its curvy lines and organic expression, it invites close, intimate meetings at the same time as it..

The Aalto Table conveys a relaxed familiarity that resists categorisation. With legs and edge-bands of Finnish birch, it radiates natural beauty and warmth, moving easily between public and private spheres in accordance with Alvar Aalto’s conception ..

The Aalto Table conveys a relaxed familiarity that resists categorisation. With legs and edge-bands of Finnish birch, it radiates natural beauty and warmth, moving easily between public and private spheres in accordance with Alvar Aalto’s conception ..